Sonata in F Major

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Sonata in F Major (1700)

Opus 5, No. 10

Arcangelo Corelli (1653 - 1713)

Alto Saxophone solo with Piano

Sonata in F Major by Arcangelo Corelli arranged for Alto Saxophone solo with Piano. This early sonata has five short movements. Except for the first movement they are based on popular dance forms of the time.

1. Preludio  (Adagio)
2. Allemanda (Allegro moderato)
3. Sarabanda (Largo)
4. Gavotta (Allegro)
5. Giga (Allegro con grazia)

This arrangement of Sonata in F Major, Opus 5, No. 10 by Corelli is for Alto Saxophone solo with Piano. All movements are in the original keys. The complete sonata is about 8.5 minutes in length but the individual sections have enough interest to stand on their own if you need shorter piece. Moderate tempos and straightforward rhythms make this a good piece for intermediate players.

• The saxophone part range is shown below.
• Audio and score excerpts are available above.

Alto Saxophone Range for Sonata in F Major.

Small notes indicate optional pitches – alternatives are provided in the part.

About the Composer

Arcangelo Corelli (1653-1713) was an influential Italian violinist and composer born in Fusignano, Italy. Raised in a wealthy family with no musical background, he received early music education from local teachers before honing his skills in Bologna, a key center for instrumental music in the 17th century. By the late 1670s, Corelli had established himself in Rome, performing for high-profile patrons, including Queen Christina of Sweden and Cardinal Pamphili. His remarkable contributions to violin music include several publications of trio sonatas, blending church and chamber styles, which showcased his innovative approach to composition.

Corelli’s works are characterized by their rich textures, dance influences, and a balance of counterpoint with melodic elements. His most renowned publication, the fifth book of sonatas, significantly impacted the evolution of violin music and teaching. Although he published no further works after 1700, Corelli’s later concertos reflect the culmination of his stylistic development. His legacy is substantial, influencing numerous composers across Europe, including Vivaldi and Bach, and establishing foundational principles for violin technique that continued to resonate in musical education for generations. Corelli’s death in 1713 marked the end of a prolific career, but his music remains celebrated for its elegance and complexity.

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