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Fugue from Requiem, K. 626 (1791)
W. A. Mozart (1756–1791)
SATB Saxophone Quartet
Fugue from Requiem, K. 626 by W. A. Mozart arranged for SATB Saxophone Quartet. This fugue is taken from the second section of Mozart’s Requiem Mass – the Kyrie Eleison.
With this arrangement of Fugue from Requiem, K. 626 you get:
SATB saxophone quartet full score (9″ x 12″, 8 pages including cover)
Saxophone Parts (9″ x 12″, 4 pages including cover)
- Soprano saxophone
- Alto saxophone
- Tenor saxophone
- Baritone saxophone
This short extract, a double fugue from Requiem, K. 626 by Mozart, provides quite a workout for all members of the sax quartet. At a moderate tempo, it is a good challenge for an intermediate or advanced saxophone quartet.
The range for each saxophone part is shown below.
Audio and score excerpts are available above.
Saxophone Range for Fugue from Requiem, K. 626
About the Composer
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791). Foundational composer of the classical period. He was working on the Requiem in D Minor at the time of his death. Mozart’s wife asked Franz Süssmayr to finish the piece shortly afterwards.
Mozart’s last year was, until his final illness struck, a time of high productivity—and by some accounts, one of personal and financial recovery. He composed a great deal, including some of his most admired works: the opera The Magic Flute; the final piano concerto (K. 595 in Bâ™); the Clarinet Concerto K. 622; the last in his series of string quintets (K. 614 in Eâ™); the motet Ave verum corpus K. 618; and the unfinished Requiem K. 626.
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